In a new exhibit, over 250 artworks detail the devastating effect of war on Iraq, something its curators imagine has not been addressed culturally until now
As you walk into Moma PS1 in Queens, New York, tourists are reacted with an unlikely wall sculpture- the CNN logo at the end of an oversized golden chain.
It’s great for a selfie op, but there’s a deeper meaning to the artwork, created in 2002 by Thomas Hirschhorn. CNN played a pivotal role in speeding up the 24 -hour news coverage of the Gulf war, giving the tempo for struggle news.
This artwork is being shown as part of Theater of Operation: the Gulf Wars, 1991-2011, peculiarity over 250 artworks by 75 artists. It details the lamentable, shocking effects of war, as told by western and Middle Eastern artists.
” We recognise there hasn’t been a major examination of Iraqi art in the US ,” said Peter Eleey, who co-curated the exhibition with Ruba Katrib.” Everyone wants to talk about the current conflict, but this conflict has been going on for 30 times. We’re looking at what an master on one side of such issues induces, versus another, sometimes on the same event .”
With the recent killing of the Isis ruler Abu Bakr al-Baghdadi, and with US troops leaving northern Syria and being deployed in eastern Syria, America’s armed proximity is as topical as ever. But for the artists who lived in Kuwait and Iraq in the 1990 s, what was it like to live through such horror?
” It’s timely but likewise belated, because this has not been addressed culturally ,” said Katrib.” Iraqi art has not been addressed; Iraqi culture yield hasn’t been addressed either. But the US has been caught in Iraq for three decades, so why has there been such a lack of representation, interest, or era and cavity given to Iraqi culture creation ?”
Good question. While America is slowly warming up to Middle Eastern art and culture( a new not-for-profit in Washington dedicated to Middle Eastern art opened in September, while an exhibition of female Iranian creators is opening next week at the High Line Nine in New York ), the 1991 Gulf war’s devastating effects has already been to be fully explored within art- at least that which has been shared with a wider western audience.