David Chipperfield at the home of photographer Nick Knight:’ The whole street lobbied against it, writing to Prince Charles to try to have it stopped.’ Photograph: Michael Franke/ The Guardian
In 1990, when I was in my mid-3 0s and still quite inexperienced, I was approached by the manner photographer Nick Knight and his wife, Charlotte, to expand their London home. They is now in a postwar house that Nick’s father had improved. Nick wanted a studio upstairs and more space for his young family. At the time, I had a small office of four or five people and we were working with the designer Issey Miyake on a number of store interiors in Japan. This was my first building.
I was aroused about everything I was seeing in Japan at the time: they tend to treat the garden-variety as part of the house. Most of Nick’s neighbours wasted a great deal of money on their facades; we did the opposite. We focussing on how the house and garden could connect. We made a large concrete chassis that spread out from the side of the house, which had the consequences of the partly enclosing a courtyard garden. It too means that the angle of the living room could be opened up, without a supporting tower, framing a idea into the garden, creating an outside seat that feels like an indoor one.
We ended up with a fight on our hands. The whole street lobbied against it, writing to Prince Charles to try to have it stopped. The parties across the road retained their shrouds depicted for a couple of years in demonstrate. It was an introduction to conservative English taste, which was quite shocking. It wasn’t that the house was too big; it was that the front didn’t look like the other lives in the street. That was the worst part of the process for me. Once we started to build, it was easy by comparison.
Designing and building residences for people is a delicate process, which is why I only take over one or two at a time. Success depends very much on how you develop a method of being personal and professional: that relationship is critical.
This was the first time I had a center project to my job- the idea of creating an expansive consider in a suburban street- and it is a strategy I’ve lived by since. The mansion has been part of Nick and Charlotte’s life for 30 years and I think it has helped them formulate a work-life balance. Nick’s work is incredibly intense and demanding, hitherto he is dedicated to his family. I like to think the house has played a role.
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