No more clock-based passivity from the novelist, who interrupted a 20 -year routine with a decision to embrace the unpredictable
I used to be a trained morning scribe, but in the spring of 2010 I was seeing a router-making facility in Shanghais Pudong district and witnessed thousands of workers in robins egg blue jumpsuits constructing the material are required to pole-vault Chinas technological connectedness ahead of all other countries in our new international order. This tableau inspired in me a gentle realisation that the world was changing even more quickly than Id thought it was, and that Id better shake circumstances up creatively to keep pace with it.
I requested myself a few questions: how can I steep fiction with that same fractal gumption of falling down a rabbit hole that everyone is knowledge when were online? How can writing compete with Netflix? How could I tighten ardour into as few terms as possible not only on a page but something people are able to read from a automobile at 50 km / hour?
To this end I intentionally upended what had been a 20 -year-old writing procedure. No more AM clock-based passivity, quietly awaiting statements that may or is not able to come depending on the fussiness of my muse. No more predictability; instead of stay here with me feeling nostalgic for my pre-internet brain, I tried to figure out what my brand-new brain was becoming and how that affected my writing. So if you ask me what is my usual writing date, I have no specific react, merely a series of tendencies which together define my brand-new writing normal.
One: I do much of my writing on planes. Im actually at my happiest when Im writing on an aircraft, and Im writing these messages on an aircraft right now, Lufthansa flight 1436 from Frankfurt to St Petersburg. Theres no Wi-Fi( sanctuary !) and Im having that not distasteful whiz of soon-to-end Schengen-era statelessness the kind of transnational fluidity so accurately touted by Monocle magazine a headspace where all the men wear slim-fit clothe and all the women in little pitch-black garments go back to the role from the Embassy function to do some late nighttime C ++ coding.
Q: Would you like a glass of sea with your vodka tonic ?
A: No. Thats why God invented ice cubes .
Two: I do much of my writing in hotel rooms, specially if theres a deadline. Actually, since I wrote the above paragraph Ive landed and am now in the St Petersburg W hotel which has killer Wi-Fi and interior design options maybe established( in the highest possible appreciation) by an oligarchs mistress. Theres something about is now in a hotel area most novelists know this implicitly that free-spokens up ones belief. First you target a scorched earth do-not-disturb on your email account( autoreply: Im dead and hence unable to reply to your email) and second, hide the mobile phone in the desk drawer and its almost as good as being on a plane. None can reach you. Youre safe.
Three: I write in places connected in definable ways to the forces of both globalisation and deglobalisation: Shanghai router-making facilities; Chilean classrooms taken over by affirming students, the rooms now converted into creators studios; the International House of Pancakes on the north back of Interstate 15 in Las Vegas. The more random and unpredictable the better.
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