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Douglas Coupland:’ I’m actually at my happiest when I’m writing on a plane’

No more clock-based passivity from the novelist, who interrupted a 20 -year routine with a decision to embrace the unpredictable

I used to be a disciplined morning columnist, but in the spring of 2010 I was visiting a router-making facility in Shanghais Pudong district and evidenced thousands of workers in robins egg blue jumpsuits improving the material are required to pole-vault Chinas technological connectedness ahead of all other countries in our new international order. This tableau induced in me a soothing realisation that the world was changing even more quickly than Id thought it was, and that Id better shake circumstances up creatively to keep pace with it.

I requested myself a few questions: how can I steep story with that same fractal gumption of falling down a rabbit hole that everyone is know when were online? How can writing compete with Netflix? How could I squeeze passion into as few statements as possible not only on a page but something people can read from a gondola at 50 km / hour?

To this end I deliberately upended what had been a 20 -year-old writing procedure. No more AM clock-based passivity, softly awaiting words that may or may not arrive depending on the fussiness of my muse. No more predictability; instead of sitting there find wistful for my pre-internet intelligence, I tried to figure out what my brand-new mentality was becoming and how that affected my writing. So if you ask me what is my typical writing day, I have no specific react, precisely a series of tendencies which together define my new writing normal.

One: I do often of my writing on airliners. Im actually at my happiest when Im writing on a plane, and Im writing these paroles on a plane right now, Lufthansa flight 1436 from Frankfurt to St Petersburg. Theres no Wi-Fi( sanctuary !) and Im having that not distasteful wizard of soon-to-end Schengen-era statelessness the kind of transnational fluidity so accurately touted by Monocle magazine a headspace where all the men wear slim-fit clothing and all the women in little pitch-black garments go back to the agency from the Embassy function to do some late darknes C ++ coding.

Q: Would you like a glass of sea with your vodka tonic ?
A: No. Thats why God invented ice cubes .

Two: I do much of my writing in hotel rooms, specially if theres a deadline. Actually, since I wrote the above paragraph Ive territory and am now in the St Petersburg W inn which has killer Wi-Fi and interior design picks maybe obliged( in the highest possible feel) by an oligarchs mistress. Theres something about being in a hotel chamber most novelists know this implicitly that free-spokens up ones conceiving. First you target a scorched land do-not-disturb on your email accounting( autoreply: Im dead and hence unable to reply to your email) and second, hide the mobile phone in the desk drawer and its almost as good as being on an aircraft. None can reach you. Youre safe.

Three: I write in places connected in definable ways to the forces of both globalisation and deglobalisation: Shanghai router-making facilities; Chilean classrooms taken over by affirming students, the rooms now converted into masters studios; the International House of Pancakes on the north side of Interstate 15 in Las Vegas. The more random and unexpected the better.

Read more: www.theguardian.com

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