No more clock-based passivity from the novelist, who disrupted a 20 -year routine with a decision to embrace the unpredictable
I used to be a penalty morning scribe, but in the spring of 2010 I was seeing a router-making facility in Shanghais Pudong district and witnessed thousands of workers in robins egg blue-blooded jumpsuits building the equipment are required to pole-vault Chinas technological connectedness ahead of all other countries in our new world order. This tableau spurred in me a soothing realisation that the world was changing even more quickly than Id thought it was, and that Id better shake things up creatively to keep pace with it.
I expected myself a few questions: how can I imbue story with that same fractal gumption of falling down a rabbit hole that everyone is knowledge when were online? How can writing compete with Netflix? How could I constrict emotion into as few statements as is practicable not only on a page but something people can read from a auto at 50 miles per hour?
To this end I deliberately upended what had been a 20 -year-old writing number. No more AM clock-based passivity, calmly awaiting paroles that may or may not come is dependent on the fussiness of my muse. No more predictability; instead of stay here with me feeling nostalgic for my pre-internet intelligence, I tried to figure out what my brand-new psyche was becoming and how that affected my letter. So if “youre asking me” what is my usual author daytime, I have no specific reaction, exactly a series of tendencies which together characterize my new writing normal.
One: I do much of my writing on aircrafts. Im actually at my happiest when Im writing on a plane, and Im writing these terms on an aircraft right now, Lufthansa flight 1436 from Frankfurt to Saint petersburg. Theres no Wi-Fi( sanctuary !) and Im having that not distressing superstar of soon-to-end Schengen-era statelessness the kind of transnational fluidity so accurately touted by Monocle magazine a headspace where all the men wear slim-fit garb and all the women in little pitch-black dresses go back to the office from the Embassy function to do some late nighttime C ++ coding.
Q: Would you like a glass of sea with your vodka tonic ?
A: No. Thats why God invented ice cubes .
Two: I do much of my writing in hotel rooms, specially if theres a deadline. Actually, since I wrote the above paragraph Ive landed and am now in the Saint petersburg W inn which has killer Wi-Fi and interior design options possibly did( in the highest possible gumption) by an oligarchs mistress. Theres something about is now in a inn chamber most columnists know this implicitly that frees up ones making. First you place a scorched ground do-not-disturb on your email chronicle( autoreply: Im dead and hence unable to reply to your email) and second, hide the mobile phone in the desk drawer and its almost as good as being on an aircraft. None can achieve you. Youre safe.
Three: I write in places connected in definable ways to the forces of both the processes of globalization and deglobalisation: Shanghai router-making facilities; Chilean classrooms taken over by complaining students, the chambers now converted into artists studios; the International House of Pancakes on the northern side of Interstate 15 in Las Vegas. The more random and unexpected the better.
Read more: www.theguardian.com