No more clock-based passivity from the novelist, who interrupted a 20 -year routine with a decision to embrace the unpredictable
I used to be a penalty morning columnist, but in the spring of 2010 I was inspecting a router-making facility in Shanghais Pudong district and witnessed thousands of workers in robins egg off-color jumpsuits improving the equipment are required to pole-vault Chinas technological connectedness ahead of all other countries in our new world order. This tableau induced in me a soothing realisation that “the worlds” was changing even more quickly than Id thought it was, and that Id better shake thoughts up creatively to keep pace with it.
I questioned myself a few questions: how can I imbue myth with that same fractal gumption of falling down a rabbit hole that everyone is knowledge when were online? How can writing compete with Netflix? How could I tighten emotion into as few paroles as possible not just on a sheet but something people are able to speak from a car at 50 miles per hour?
To this end I intentionally upended what had been a 20 -year-old writing number. No more AM clock-based passivity, calmly awaiting words that may or may not come depending on the fussiness of my muse. No more predictability; instead of standing here appearing nostalgic for my pre-internet mentality, I tried to figure out what my brand-new psyche was becoming and how that affected my author. So if you ask me what is my usual copy date, I have no specific reaction, precisely a series of tendencies which together define my brand-new writing normal.
One: I do much of my writing on aircrafts. Im actually at my happiest when Im writing on an aircraft, and Im writing these messages on a plane right now, Lufthansa flight 1436 from Frankfurt to St Petersburg. Theres no Wi-Fi( sanctuary !) and Im having that not unpleasant whiz of soon-to-end Schengen-era statelessness the various kinds of transnational fluidity so accurately touted by Monocle magazine a headspace where all the men wear slim-fit garb and all the women in little black getups go back to the bureau from the Embassy function to do some late night C ++ coding.
Q: Would you like a glass of ocean with your vodka tonic ?
A: No. Thats why God devised ice cubes .
Two: I do often of my writing in hotel rooms, specially if theres a deadline. Actually, since I wrote the above paragraph Ive territory and am now in the Saint petersburg W hotel which has killer Wi-Fi and interior design choices maybe cleared( in the highest possible appreciation) by an oligarchs mistress. Theres something about is available on a inn room most writers know this implicitly that free-spokens up ones recollecting. First you residence a scorched clay do-not-disturb on your email chronicle( autoreply: Im dead and hence unable to reply to your email) and second, hide the mobile phone in the desk drawer and its almost as good as being on an aircraft. None reached among you. Youre safe.
Three: I write in places connected in definable ways to the forces of both the processes of globalization and deglobalisation: Shanghai router-making facilities; Chilean classrooms taken over by affirming students, the areas now converted into masters studios; the International House of Pancakes on the north side of Interstate 15 in Las Vegas. The more random and surprising the better.
Read more: www.theguardian.com