No more clock-based passivity from the novelist, who disrupted a 20 -year routine with a decision to embrace the unpredictable
I used to be a trained morning scribe, but in the spring of 2010 I was seeing a router-making facility in Shanghais Pudong district and evidenced thousands of workers in robins egg blue-blooded jumpsuits constructing the equipment are required to pole-vault Chinas technological connectedness ahead of all other countries in our new world order. This tableau spurred in me a gentle realisation that the world was changing even more quickly than Id thought it was, and that Id better shake stuffs up creatively to keep pace with it.
I requested myself a few questions: how can I imbue story with that same fractal gumption of falling down a rabbit hole that we all experience when were online? How can writing compete with Netflix? How could I squeeze ardour into as few paroles as is practicable not just on a page but something people can read from a gondola at 50 miles per hour?
To this end I intentionally upended what had been a 20 -year-old writing procedure. No more AM clock-based passivity, softly awaiting terms that may or may not come depending on the nature of the fussiness of my muse. No more predictability; instead of standing here experiencing wistful for my pre-internet mentality, I tried to figure out what my new psyche was becoming and how that affected my publication. So if “youre asking me” what is my typical script daytime, I have no specific refute, only a series of tendencies which together characterize my brand-new writing normal.
One: I do often of my writing on planes. Im actually at my happiest when Im writing on a plane, and Im writing these paroles on a plane right now, Lufthansa flight 1436 from Frankfurt to St Petersburg. Theres no Wi-Fi( sanctuary !) and Im having that not disagreeable excitement of soon-to-end Schengen-era statelessness the kind of transnational fluidity so accurately touted by Monocle magazine a headspace where all the men wear slim-fit garment and all the women in little pitch-black getups go back to the power from the Embassy function to do some late darknes C ++ coding.
Q: Would you like a glass of water with your vodka tonic ?
A: No. Thats why God fabricated ice cubes .
Two: I do much of my writing in hotel rooms, especially if theres a deadline. Actually, since I wrote the above paragraph Ive property and am now in the St Petersburg W hotel which has killer Wi-Fi and interior design options possibly represented( in the highest possible sense) by an oligarchs mistress. Theres something about is available on a inn chamber most columnists know this implicitly that free-spokens up ones making. First you situate a scorched clay do-not-disturb on your email detail( autoreply: Im dead and hence unable to reply to your email) and second, hide the mobile phone in the desk drawer and its almost as good as being on an aircraft. Nothing reached among you. Youre safe.
Three: I write in places connected in definable ways to the forces of both globalisation and deglobalisation: Shanghai router-making facilities; Chilean classrooms taken over by protesting students, the chambers now converted into creators studios; the International House of Pancakes on the north back of Interstate 15 in Las Vegas. The more random and unexpected the better.
Read more: www.theguardian.com