No more clock-based passivity from the novelist, who interrupted a 20 -year routine with a decision to embrace the unpredictable
I used to be a penalized morning writer, but in the spring of 2010 I was seeing a router-making facility in Shanghais Pudong district and witnessed thousands of workers in robins egg blue jumpsuits improving the equipment necessary to pole-vault Chinas technological connectedness ahead of all other countries in our new international order. This tableau induced in me a gentle realisation that “the worlds” was changing even more quickly than Id thought it was, and that Id better shake happenings up creatively to keep pace with it.
I expected myself a few questions: how can I steep myth with that same fractal feel of falling down a rabbit hole that everyone is know-how when were online? How can writing compete with Netflix? How could I tighten emotion into as few words as possible not just on a sheet but something people can speak from a car at 50 miles an hour?
To this end I intentionally upended what had been a 20 -year-old writing procedure. No more AM clock-based passivity, quietly awaiting statements that may or may not come depending on the fussiness of my muse. No more predictability; instead of sitting there experiencing nostalgic for my pre-internet mentality, I tried to figure out what my brand-new psyche was becoming and how that affected my publish. So if “youre asking me” what is my usual document period, I have no specific answer, precisely a series of tendencies which together characterize my new writing normal.
One: I do often of my writing on airplanes. Im actually at my happiest when Im writing on a plane, and Im writing these paroles on a plane right now, Lufthansa flight 1436 from Frankfurt to Saint petersburg. Theres no Wi-Fi( sanctuary !) and Im having that not distressing awarenes of soon-to-end Schengen-era statelessness the various kinds of transnational fluidity so accurately touted by Monocle magazine a headspace where all the men wear slim-fit garb and all the women in little black garbs go back to the role from the Embassy function to do some late darknes C ++ coding.
Q: Would you like a glass of ocean with your vodka tonic ?
A: No. Thats why God invented ice cubes .
Two: I do often of my writing in hotel rooms, especially if theres a deadline. Actually, since I wrote the above paragraph Ive property and am now in the Saint petersburg W inn which has killer Wi-Fi and interior design selects perhaps constituted( in the best possible feel) by an oligarchs mistress. Theres something about being in a inn room most writers know this implicitly that frees up ones reckoning. First you residence a scorched land do-not-disturb on your email history( autoreply: Im dead and hence unable to reply to your email) and second, hide the mobile phone in the desk drawer and its almost as good as being on a plane. Nobody can reach you. Youre safe.
Three: I write in places connected in definable ways to the forces of both the processes of globalization and deglobalisation: Shanghai router-making facilities; Chilean classrooms taken over by asserting students, the rooms now converted into masters studios; the International House of Pancakes on the northern line-up of Interstate 15 in Las Vegas. The more random and unexpected the better.
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