Famous organizations have offered masters the perfect programme to design fantasy environments, says Chris Hall
Caligula throwing “states parties ” ,” was how the funk musician Rick James described the legendary Studio 54 in New York, which opened in 1977. There was a cocaine snort” Man and the Spoon” aspect that would descend from the ceiling where needed, there were accumulations of cash in the back room, unisex bathrooms and stunts like Bianca Jagger riding a horse on the dancefloor is presided over by a naked serviceman covered in gold glitter.
The key thing about Studio 54, which is available in a brand-new exhibition about global squad culture at Vitra Design Museum, was its adaptability. It could become a different fiction environment to act as backdrop for the outrageous attires and theatre of the working party goers- such as when four tonnes of glitter were plunged from the club’s ceiling on New Year’s Eve or when the fashion designer Valentino had a circus-themed birthday party with sand and mermaids on trapezes.
” The 60 s and 70 s find the rise of the idea that you don’t design a nightclub, you introducing the negligible intend elements to make a nightclub ,” says Catharine Rossi, a intend historian at Kingston University, who has co-curated the exhibition.” What’s important is not the physical opening- certainly the nightclub is just a container. Clubs are made through igniting and sound, psychotropic pharmaceuticals and beings .”
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