Famous teams have offered artists the perfect scaffold to design fantasy situations, says Chris Hall
Caligula throwing a party ,” was how the funk musician Rick James described the famous Studio 54 in New York, which opened in 1977. There was a cocaine snorting” Man and the Spoon” boast that they are able to sink from the ceiling when required, there are still batches of cash in the back area, unisex bathrooms and stunts like Bianca Jagger riding a pony on the dancefloor is presided over by a naked gentleman covered in gold glitter.
The key thing about Studio 54, which is available in a new expo about world organization culture at Vitra Design Museum, was its adaptability. It could become a different fiction situation to act as backdrop for the outrageous dress and theatre of the working party goers- such as when four tonnes of glitter were sagged from the club’s ceiling on New Year’s Eve or when the fashion designer Valentino had a circus-themed birthday party with sand and mermaids on trapezes.
” The 60 s and 70 s construed the increase of the idea that you don’t design a nightclub, you fetching the negligible layout parts to make a nightclub ,” says Catharine Rossi, a intend historian at Kingston University, who has co-curated the exhibition.” What’s important is not the physical seat- genuinely the nightclub is just a container. Clubs are made through igniting and sound, psychotropic medicines and people .”
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