Famous golf-clubs have offered creators the perfect platform to design fantasy media, articulates Chris Hall
Caligula throwing a party ,” was how the funk musician Rick James described the legendary Studio 54 in New York, which opened in 1977. There was a cocaine snorting” Man and the Spoon” peculiarity that they are able to descend from the ceiling when required, there used to be piles of cash in the back room, unisex showers and stunts like Bianca Jagger journeying a horse on the dancefloor led by a naked being contained within gold glitter.
The key happen about Studio 54, which features in a brand-new show about world-wide fraternity culture at Vitra Design Museum, was its adaptability. It could become a different fantasize context to act as backdrop for the shocking outfits and theatre of the working party goers- such as when four million tonnes brightnes were descent from the club’s ceiling on New Year’s Eve or when the clothes designer Valentino had a circus-themed birthday defendant with sand and mermaids on trapezes.
” The 60 s and 70 s examined the rise of the idea that you don’t pattern a nightclub, you fetch the minimal pattern parts to make a nightclub ,” announces Catharine Rossi, a layout historian at Kingston University, who has co-curated the exhibition.” What’s important is not the physical opening- actually the nightclub is just a container. Clubs are built through lighting and sound, psychotropic dopes and beings .”
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