Famous teams have offered masters the perfect pulpit to design fantasy media, says Chris Hall
Caligula throwing a party ,” was how the funk musician Rick James described the famed Studio 54 in New York, which opened in 1977. There was a cocaine snort” Man and the Spoon” facet that they are able to tumble from the ceiling when required, there are still stacks of cash in the back area, unisex showers and stunts like Bianca Jagger riding a mare on the dancefloor led by a naked soul covered in gold glitter.
The key thing about Studio 54, which is available in a brand-new show about global association culture at Vitra Design Museum, was its adaptability. It could become a different imagination surrounding to act as backdrop for the outrageous outfits and theatre of the party goers- such as when four tonnes of glitter were plunged from the club’s ceiling on New Year’s Eve or when the fashion designer Valentino had a circus-themed birthday party with sand and mermaids on trapezes.
” The 60 s and 70 s recognized the rise of the idea that you don’t intend a nightclub, you creating the minimal intend elements to make a nightclub ,” says Catharine Rossi, a intend historian at Kingston University, who has co-curated the exhibition.” What’s important is not the physical cavity- genuinely the nightclub is just a container. Clubs are made through lighting and sound, psychotropic doses and beings .”
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