Famous organizations have offered creators the perfect programme to design fantasy contexts, says Chris Hall
Caligula throwing “states parties ” ,” was how the funk musician Rick James described the legendary Studio 54 in New York, which opened in 1977. There was a cocaine snort” Man and the Spoon” facet that they are able to descend from the ceiling where necessary, there were stacks of cash in the back area, unisex showers and stunts like Bianca Jagger riding a pony on the dancefloor led by a naked male covered in gold glitter.
The key happen about Studio 54, which is available in a new show about world guild culture at Vitra Design Museum, was its adaptability. It could become a different fantasize surrounding to act as backdrop for the flagrant dress and theatre of the working party goers- such as when four tonnes of glitter were fallen from the club’s ceiling on New Year’s Eve or when the fashion designer Valentino had a circus-themed birthday party with sand and mermaids on trapezes.
” The 60 s and 70 s insured the rise of the idea that you don’t design a nightclub, you raising the negligible design constituents to make a nightclub ,” says Catharine Rossi, a intend historian at Kingston University, who has co-curated the exhibition.” What’s important is not the physical seat- actually the nightclub is just a container. Clubs are made through lighting and sound, psychotropic drugs and beings .”
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