Famous teams have offered artists the perfect scaffold to design fantasy situations, remarks Chris Hall
Caligula hurling “states parties ” ,” was how the funk musician Rick James described the legendary Studio 54 in New York, which opened in 1977. There was a cocaine snorting” Man and the Spoon” facet that they are able to descend from the ceiling when required, there were batches of cash in the back room, unisex bathrooms and stunts like Bianca Jagger riding a mare on the dancefloor led by a naked soldier covered in golden glitter.
The key thing about Studio 54, which features in a new expo about world-wide society culture at Vitra Design Museum, was its adaptability. It could become a different fiction situation to act as backdrop for the appalling dress and theatre of the working party goers- such as when four tonnes of sheen were plummeted from the club’s ceiling on New Year’s Eve or when the fashion designer Valentino had a circus-themed birthday defendant with sand and mermaids on trapezes.
” The 60 s and 70 s recognized the rise of the notion that you don’t designing a nightclub, you accompany the negligible blueprint points to make a nightclub ,” does Catharine Rossi, a designing historian at Kingston University, who has co-curated the exhibition.” What’s important is not the physical space- genuinely the nightclub is just a receptacle. Clubs are formed through lighting and sound, psychotropic drugs and people .”
Read more: www.theguardian.com