Famous teams have offered artists the perfect scaffold to design fantasy environs, mentions Chris Hall
Caligula hurling “states parties ” ,” was how the funk musician Rick James described the famed Studio 54 in New York, which opened in 1977. There was a cocaine snorting” Man and the Spoon” aspect that would pitch from the ceiling when required, there used to be collections of cash in the back room, unisex bathrooms and stunts like Bianca Jagger going a mare on the dancefloor led by a naked human contained within gold glitter.
The key occasion about Studio 54, which features in a brand-new exhibition about world-wide organization culture at Vitra Design Museum, was its adaptability. It could become a different imagination surrounding to act as backdrop for the abominable clothings and theater of the working party goers- such as when four tonnes of sheen were descended from the club’s ceiling on New Year’s Eve or when the clothes designer Valentino had a circus-themed birthday party with sand and mermaids on trapezes.
” The 60 s and 70 s discovered the rise of the idea that you don’t intend a nightclub, you raise the minimal pattern ingredients to make a nightclub ,” suggests Catharine Rossi, a blueprint historian at Kingston University, who has co-curated the exhibition.” What’s important is not the physical space- truly the nightclub is just a container. Clubs are realise through illuminating and sound, psychotropic dopes and people .”
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