Famous golf-clubs have offered masters the perfect stage to design fantasy contexts, says Chris Hall
Caligula shedding “states parties ” ,” was how the funk musician Rick James described the legendary Studio 54 in New York, which opened in 1977. There was a cocaine snorting” Man and the Spoon” peculiarity that they are able to descend from the ceiling when required, there used collections of cash in the back area, unisex bathrooms and stunts like Bianca Jagger riding a pony on the dancefloor led by a naked man contained within amber glitter.
The key circumstance about Studio 54, which features in a brand-new exhibition about world-wide golf-club culture at Vitra Design Museum, was its adaptability. It could become a different fiction situation to act as backdrop for the unconscionable dress and theatre of the party goers- such as when four tonnes of glisten were discontinued from the club’s ceiling on New Year’s Eve or when the clothes designer Valentino had a circus-themed birthday defendant with sand and mermaids on trapezes.
” The 60 s and 70 s encountered the rise of the notion that you don’t layout a nightclub, you introduce the minimal blueprint elements to make a nightclub ,” says Catharine Rossi, a designing historian at Kingston University, who has co-curated the exhibition.” What’s important is not the physical seat- certainly the nightclub is just a container. Clubs are established through lighting and sound, psychotropic doses and parties .”
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