Famous teams have offered masters the perfect scaffold to design fantasy milieu, suggests Chris Hall
Caligula shedding “states parties ” ,” was how the funk musician Rick James described the famous Studio 54 in New York, which opened in 1977. There was a cocaine snorting” Man and the Spoon” peculiarity that they are able to pitch from the ceiling when required, there used to be batches of cash in the back chamber, unisex showers and stunts like Bianca Jagger going a horse on the dancefloor led by a naked man contained within golden glitter.
The key happen about Studio 54, which features in a brand-new expo about world-wide team culture at Vitra Design Museum, was its adaptability. It could become a different fantasize milieu to act as backdrop for the appalling clothings and theater of the party goers- such as when four million tonnes glitter were plummeted from the club’s ceiling on New Year’s Eve or when the clothes designer Valentino had a circus-themed birthday defendant with sand and mermaids on trapezes.
” The 60 s and 70 s understood the rise of the notion that you don’t intend a nightclub, you return the negligible blueprint elements to make a nightclub ,” announces Catharine Rossi, a design historian at Kingston University, who has co-curated the exhibition.” What’s important is not the physical room- certainly the nightclub is just a container. Clubs are stirred through illuminating and sound, psychotropic doses and people .”
Read more: www.theguardian.com