Famous teams have offered artists the perfect platform to design fantasy environments, says Chris Hall
Caligula hurling “states parties ” ,” was how the funk musician Rick James described the legendary Studio 54 in New York, which opened in 1977. There was a cocaine snorting” Man and the Spoon” feature that they are able to tumble from the ceiling when required, there used to be stacks of cash in the back chamber, unisex showers and stunts like Bianca Jagger going a mare on the dancefloor led by a naked person covered in amber glitter.
The key event about Studio 54, which features in a brand-new show about world golf-club culture at Vitra Design Museum, was its adaptability. It could become a different fiction medium to act as backdrop for the abominable outfits and theater of the party goers- such as when four million tonnes flash were lowered from the club’s ceiling on New Year’s Eve or when the fashion designer Valentino had a circus-themed birthday defendant with sand and mermaids on trapezes.
” The 60 s and 70 s received the rise of the idea that you don’t layout a nightclub, you raise the minimal motif components to make a nightclub ,” pronounces Catharine Rossi, a blueprint historian at Kingston University, who has co-curated the exhibition.” What’s important is not the physical opening- genuinely the nightclub is just a receptacle. Clubs are acquired through illuminating and sound, psychotropic narcotics and parties .”
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