Famous organizations have offered artists the perfect stage to design fantasy environments, says Chris Hall
Caligula throwing “states parties ” ,” was how the funk musician Rick James described the famous Studio 54 in New York, which opened in 1977. There was a cocaine snort” Man and the Spoon” peculiarity that they are able to tumble from the ceiling where needed, there are still mounds of cash in the back chamber, unisex showers and stunts like Bianca Jagger riding a mare on the dancefloor is presided over by a naked soldier covered in gold glitter.
The key thing about Studio 54, which features in a new show about world squad culture at Vitra Design Museum, was its adaptability. It could become a different imagination environment to act as backdrop for the outrageous clothings and theatre of the working party goers- such as when four tonnes of glitter were ceased from the club’s ceiling on New Year’s Eve or when the fashion designer Valentino had a circus-themed birthday party with sand and mermaids on trapezes.
” The 60 s and 70 s verified the increase of the idea that you don’t motif a nightclub, you introducing the negligible pattern factors to make a nightclub ,” says Catharine Rossi, a intend historian at Kingston University, who has co-curated the exhibition.” What’s important is not the physical room- really the nightclub is just a container. Clubs are made through illuminating and sound, psychotropic medications and parties .”
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