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12 Images Illustrate The Change In Home Interior Fashion Over 600 Years

Who doesn’t like to have a beautiful and comfortable living room? It is an environment where we spend most of our time at home, fraternizing with clas, and remaining after a busy epoch at work or school.

As old-time as the birth of building, the prowes of interior design probably arose in ancient Egypt, and progressed to the point where we live today.

HomeAdvisor designers have created a new project to illustrate how interior design has evolved over the past 600+ years.

Scroll down and ensure for yourselves!

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Renaissance( 1400 – 1600)

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“Art and culture were reborn as the French Renaissance spread across Europe. Inventors saw a renewed feeling for ornate decoration and fine item, inspired by a brand-new feel of humanism and discretion. Arabesque and Asian affects regenerated the decorative artistries, and careful attention to symmetry and geometry created a brand-new sense of peace to European interiors.

We designed the cabinet in our Renaissance living room image in the shape of a small palazzo( palace) which was common at the time. Its pillars and balconies resemble the shape of the building, evoking unison. The Turkish rug is inspired by one seen in a decorate by Hans Holbein the Younger, a German painter who lived in Renaissance-era London. Rugs like this were firstly woven in western Turkey in the 14 th century and became very popular in Renaissance Europe.”

Baroque( 1590 – 1725)

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“Turkish carpetings fell out of fashion during the Baroque period, as more princely and elaborate structure expected fixtures and fittings to parallel. The Catholic Church was the first to develop this new sense of richnes as an attempt to impress the uneducated masses with their asset and ability. Hence the frames of the Louis XIV-style suite seem to be dripping with gold.

Beneath the gilded finish, the chassis of the furniture was often made from tropical grove. Other exotic substances such as ivory were popular, and faces such as floorings and table-tops were usually marble. Our color scheme here is dramatic and erotic. The play of light around a baroque living room would have been inflated to create a sense of movement and enormity.”

Rococo( 1700)

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“Towards the end of the Baroque period, a subset of the mode briefly stole the spotlight. Rococo style( from the French statement rocaille, signifying eggshell ornamentation) was far-famed for only three decades during the reign of Louis XV. It is lighter, more droll, and freer than Baroque. For some, it better suited the friendship of the family home than the grand faith form that came before it.

The shell and floral themes in our Rococo living room are typical of the style’s more humorous influence on residence decoration. The cabriole legs and ringlet hoof of the furniture delicately equilibrium high-spirits and grandeur. Social amass in the home were becoming more common in the early 18 th century. The Rococo style earmarked homeowners to demonstrate their wealth and experience without emerging showy or stuffy.”

Neoclassical( 1780 – 1880)

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“The late Georgian era led in a new age of structure that responded to the Baroque and Rococo seasons. The rediscovery of Pompeii contributed to new empathizes of Roman and Greek architecture. This inspired a move towards more’ stylish, ’ refined, and timeless design principles, free from the solemnity and novelty of the Baroque trend.

Notice the straight lines and logical, almost numerical layout of our Neoclassical living room. These blueprint principles were spread throughout Europe by creators studying at the French Academy in Rome. Note the column-like shape of the fireplace, lamps, and paneling. Emblazons were mild and undramatic. A plateau palate emphasized the stoic, superior gumption of chassis that the Neoclassical embodied.”

Arts and Aircrafts( 1860 – 1910)

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“The Arts and Crafts movement began in England as a action against the mechanization of ability and the economic sins of the industrial age. It was not so much better a style as an approaching, putting the responsibility for design and ship back in the handwritings of skilled worker. However, Arts and Crafts interiors shared an aesthetic of simplicity, caliber of substance, and a connection to nature.

The ideas and look of the Artistries and Crafts movement spread to American living rooms via the influence of touring architect-designers, periodicals, and society lectures. Gustav Stickley was America’s foremost Arts and Crafts designer. You can see his influence in the chunky, function-led woodwork of the furniture in the epitome, which makes a feature of exposed joinery. This emphasis on wood, brass, and the artisan’s touch devotes Arts and Crafts interiors a dark, earthy, and textured palette.”

Art Nouveau( 1890 – 1920)

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“Art Nouveau was a’ brand-new art’ for a new century. Interior designers paired handcraft with new industrial techniques, which often cleared for the purposes of an expensive process. Furniture and fittings were extravagant and modern, exhibiting the influence of Japanese art, which European masters were construing for the first time near the end of the 19 th century.

The vases and lamps in our Art Nouveau living room are inspired by Louis Comfort Tiffany, the celebrated master and first Design Director at Tiffany’s. His glass-blown patterns were a tribute to the natural world, and their luxuriant, iridescent and twirling complexions are typical of Art Nouveau.”

Art Deco( 1920 s to 1960 s)

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“If Bauhaus and Modernism were the are used in 20 th-century advancements, Art Deco was a glamorous occasion. Interior decorators were inspired by the geometry and motion of the machine age, materials, and represents of ancient cultures, and rebirth in sort. And they weren’t afraid to use them all together.

Designers formed a feeling of opulence by using a wide range of materials, including lacquered timber, discoloured glass, stainless steel, aluminum, gems, and leather. Bold colourings and impressing contrasts invoked supremacy and confidence.

Strong, straight lines echo through the hearth and reflect decorate to the skyscrapers in the woodcuts on the wall. Note too how these lines boldly counterpoint the shell-shaped sofa, flowing chairs, and spiky decorations and houseplant.”

Modernism( 1880 – 1940)

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“Like the Arts and Crafts movement, Modernism is less of a style than a philosophy. “A house is a machine for living in, ” said Swiss architect and decorator Le Corbusier, the pioneer of Modernism. The Modernist living room implemented the latest materials and technologies. It was designed to be comfortable, functional, and affordable. Beautiful was a bonus, although beautiful pattern solutions were highly valued.

These’ limits’ proved inducing to the firstly generation of professional’ interior designers.’ The counter you see above is inspired by a famed layout by Japanese-American designer Isamu Noguchi. It comprises exclusively of a layer of glass, two indistinguishable wooden backings, and a rotate pole to hold them together. The original Anglepoise lamp was invented by an operator who was inspired by his work on vehicle suspension- demonstrating the close connection between Modernist interiors and the 20 th-century industry.”

Bauhaus( 1919 – 1934)

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“The Bauhaus( rhymes with’ cow-house’) was a hugely influential German school of art and architecture. It are available for precisely 14 times until the Nazi government closed it down in 1933. Bauhaus design was a progressive subset of Modernism, with greater emphasis on the human spirit and the craftsperson. As with Modernism, shape followed serve. Bauhaus interiors were true to their fabrics, meaning that they didn’t obscure the underlying structure of a furniture patch to make it pretty.

Our Bauhaus rug is inspired by the work of Anni Albers, a grad and teach of the Bauhaus school. Albers experimented with condition and hue to produce textiles that were equally art and craft. The lamp is modeled after the MT8 or’ Bauhaus Lamp.’ Its circular, cylindrical, and spherical fractions generate geometric unity and can be built with negligible meter and materials. This type of opaque lampshade had only previously been seen in industrial settings.”

Mid-Century Modern( 1930- today)

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“The Mid-Century Modern movement developed as a softer, suburban take on Modernism, integrating natural elements. Interior decorators initiated rustic components and freer employment of color inspired by Scandinavian and Brazilian furniture trends. Fabrics such as rattan, bamboo, and wicker felt both natural and modern when brought into the living room in the form of chairs, mirrors, and trim.

Statement lighting remains a simple way to add pizzazz to a well-used family living room. The lampshade and tolerate lamp in our illustration both acquire formal elements from Modernism and Bauhaus but have the humorous looking of repurposed outdoor tools. The bright mustard of the armchair and vases epitomize the common Mid-Century Modern technique of pairing muted neutrals with a saturated signature color.”

Postmodern( 1978- today)

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“Postmodern design can discover its aesthetic affects from epoch-defining surrealist, Marcel Duchamp, to Pop Art’s crown jester, Andy Warhol, to the ambiguous Bad Taste of Jeff Koons. It all taken together in the 1980 s when decorators threw off the shackles of Modernism and approached interiors with a sense of humor and the impudent confidence we associate with the decade.

In a Postmodern living room, every patch is a talking piece- because each one has a double-meaning or visual joke to unpack. The arches in our epitome question classical paragons of formation, both flattening and unflattening a traditionally austere shape with an optical illusion invoked by their irreverent color palette. The rug’s meaning is simpler. It contributes a rock-and-roll n’ roll feel with its vinyl record condition- a Warhol-like sarcastic revelry of late 20 th-century materialism.”

Contemporary( 1980 s- today)

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“A cluttered age calls for a pared-back living room. Today’s contemporary form acquires the clean lines of Modernism and the airy, outdoors feel of the Mid-Century Modern home. Interior decorators in the late 2010 s love to give a nod to Bauhaus by peeling away surfaces to show the materials at work. However, today’s cutting-edge building materials and textiles can convene blithely alongside repurposed industrial facets from past eras.

The smooth, bare floor and uncluttered walls of our contemporary living room create a typical feel of room and light-headed. Abstract art on the walls frustrates the orbit from feeling drain and describes out the subtle form of the otherwise minimalist circumvents. Observe, more, the use of line to draw your attention around, such as the horizontal center illumination, which is both astonishing and quite simple- and seems to widen and heighten the room.”

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